“Discolandia Despedida” (2013)
For those who are interested, I have started documenting other parts of the City besides the Tenderloin, mid-Market and Sixth Street in a new blog I call Through Unsealed Eyes. Check it out, especially if you like nice, large photos.
Filed under Messages
“Incandescent” (2006)
(317/7) 450 O’Farrell Street; Fifth Church of Christ Scientist. 2B stories; steel and reinforced concrete structure; stucco facade, Greek Tuscan order with decorative panels, vents with clathery, cornice, stained glass side windows; temple composition; Greek classical ornamentation; vestibule: marble steps, bronze doors with decorative friezes and clathery; signs: “Fifth Church of Christ, Scientist” at each end, marble cornerstone with “1923”. Alterations: chain link fence across front. Architect: Carl Werner. 1923.
(317/9) 474-480 O’Farrell Street; stores. 1 story; brick structure; stucco facade; one-part commercial composition; storefronts: tile bulkheads, display windows, transoms. Alterations: security gates, cornice removed, paint, minor alterations to storefronts. Original owner: Proctor Realty Company. Architect: Charles Peter Weeks. 1913.
(317/10A) 500-524 Jones Street; Hotel Proctor (1907), Miles Hotel (1909), Sequoia Hotel (1923), Pacific Bay Inn (1984). Mid-priced hotel with eighty-nine rooms and forty-two baths. 7B stories; brick structure; five-story pavilions with brick quoins and galvanized iron pediments, galvanized iron cornice, rusticated base; three-part vertical composition; Renaissance/Baroque ornamentation; vestibule: decorative entry frame with remodeled vestibule; lobby: iron stair railing; neon blade sign at corner: “Hotel Pacific Bay Inn”. Alterations: storefronts, entry vestibule. Original owner: John W. Proctor, real estate. Architects: Welsh and Carey. 1907.
(318/7) 502-530 O’Farrell Street; Hotel Shawmut, Marymount Hotel (1913); Coast Hotel (2007). Stores and mid-priced hotel with 140 rooms and eighty-three baths. 6B stories; brick structure; terra cotta trim, rusticated second level with decorative brick bands and arches, iron balconies and cornice; three-part vertical composition; Renaissance/Baroque ornamentation; vestibule: bracketed marquee; storefronts: some with decorative iron muntins. Alterations: security grilles, vestibule, corner storefront. Original owner: Mrs. Alice Pease, widow Nelson L. Pease of Central Pacific Railroad. Architect: L.B. Dutton. 1912.
This image exemplifies why I love San Francisco so much. Fiery sunsets set my mind and emotions ablaze, making life’s problems seem mere trifles; elevating me to some higher plane of awareness by making me conscious of what a tiny cog I am in the vast machinery of the Universe.
Filed under Tenderloin
“Rooftops” (2004)
I take special delight in rooftop views. From such a vantage point the world below becomes a separate reality, as it always does when one is looking down from on high. The rooftops in these pictures are in a way even further removed from reality, because distance has been compressed by a telephoto lens. The little cube-like structures with vented skylights are rooftop exits for stairwells, which crown most all of the hotels and apartment buildings in the Tenderloin. On the day I took these photographs I was seeing them more as abstract shapes—patterns of rectangles, cubes and pyramids.
“City Hall Spire” (2004)
“St. Boniface Spire” (2004)
Filed under Tenderloin
“Sentinel” (2005)
(348/6) 100-120 McAllister Street, Temple Methodist Church and William Taylor Hotel (1927), Empire Hotel (1936), McAllister Tower (1981); church and palace hotel with 609 rooms and 391 baths; 28B stories; steel frame structure with brick walls; articulated steel frame with recessed copper spandrels; set-back skyscraper; Gothic ornamentation; vestibule: iron marquee; lobby: pier order with decorative ceiling, balcony with iron railing; alterations: some aluminum windows, doorway. Architects: Miller and Pflueger and Lewis P. Hobart. 1927.
(322/1) 601-609 O’Farrell Street, Farrelworth Apartments. Architect: H.C. Baumann. 1918.
About a year after I captured the above image, I had the pleasure of gazing down at the City from atop the tower at 100 McAllister Street, a remarkable building that appears in a number of my Tenderloin and South of Market photographs.
“Encroaching Fog” (2004)
Built by the Methodist Church, the building first opened in 1927 as the luxury William Taylor Hotel and Temple Methodist Church; in 1936 the building was sold and reopened as the Empire Hotel. While its status as the tallest hotel west of the Mississippi was short-lived, at a height of twenty-eight stories it remained by far the tallest building in the Tenderloin until the encroachment of the 493 foot Hilton San Francisco Tower I in 1971.
“Summer Fog” (2004)
The McAllister Tower’s purchase in 1981 by UC Hastings College of the Law should ensure that this neighborhood landmark, still undergoing long-term restoration, will be well cared for long into the future.
“UC Hastings and McAllister Tower” (2008)
(left) Postcard, c. 1927. (center) W. Taylor dining room, c. 1927. (right) Engraving, c. 1857. The apocalyptic gaze and breathtaking beard belong to Methodist minister William Taylor, from the frontispiece to his book Seven Years Street Preaching in San Francisco. Taylor was working in and around Baltimore, Maryland, specializing in street preaching, when he was sent by the Methodist Church as a missionary evangelist to California in 1849. For the next seven years he worked the streets of San Francisco, earning a reputation as “the pioneer scourge of moral slackers” for his fire-and-brimstone sermonizing. The Reverend Taylor later became Bishop Taylor, and it is he for whom the McAllister Tower was originally named.
“Lobby – McAllister Tower” (2008)
“Mezzanine – McAllister Tower”
“Gymnasium – McAllister Tower” (2008)
UC Hastings CFO David Seward kindly took me on a personal tour of the tower including the observation deck, where I was able to walk about in the open air twenty-seven stories above the street, with the Tenderloin, Civic Center and South of Market spread out before me. Our time was limited, so I was able to take only a few photographs. If you examine them closely, you can see the spatial relationships between many of the buildings I’ve singled out in my other photographs.
“Downtown” (2008)
Since 1968, the year I moved to San Francisco, the beautiful Beaux Arts-inspired architecture that once defined the City’s downtown skyline has been occulted, if not replaced, by towering and impersonal skyscrapers of glass and steel.
“Nob Hill” (2008)
To the north toward Nob Hill appears some of the lovely and inviting city that arose from the ashes of the 1906 fire; where the skyline still shows the graceful rise and fall of San Francisco’s hills.
“Boundary Lines” (2008)
In the upper left is the Flood Building at Powell and Market, which for many years was considered the eastern boundary of the Tenderloin. The diagonal swath of Market Street separates the Tenderloin on the left from South of Market on the right.
“Hive” (2008)
Gazing into the heart of the Tenderloin, we see the largest and densest concentration of intact residential hotels and apartments in the City; possibly in the entire country. Clearly seen from this perspective is the uniformity of architectural style. Nearly all the buildings have details that were drawn from Renaissance and Baroque sources, manifesting the influence of the Ecole des Beaux-Arts and the City Beautiful Movement on the various architects responsible for the district’s reconstruction.
“Intersection” (2008)
In the midst of century-old buildings rises the new Curran House at 145 Taylor Street.
“Ad Art” (2008)
A few doors down Turk Street from Jones is the old El Rosa Hotel (now the Helen), with its beautiful old painted advertisement for 7-Up.
Filed under Local Characters, Tenderloin
